There was a time when I didn’t understand why anyone needed more than one or two great jazz piano trio recordings. But once I came to see the format as one of the most efficient and flexible configurations for revealing a composer’s voice and character in the fullest sense, I can’t seem to get enough. Further, ECM, the world’s premier independent jazz label is going through an extremely productive phase right now and right in the heart of this purple patch is Anat Fort, an Israeli born, New York-based pianist who embraces a delicate lyricism yet finds elliptical breezes at unexpected moments. Her music satisfies the heart and intellect in equal, seemingly effortless, measure.
She has three recordings out on ECM. While my favourite remains A Long Story, her first on ECM, Birdwatching, the new one that includes Italian clarinetist Gianluigi Trovesi, is gaining ground after I saw her perform material from the album in a duo with Trovesi at the Vancouver Jazz Fest in June. We’d arranged to meet up for a brief chat and some photos. Anat has played here with her trio before and has a fondness for the city, likening the waterfront, in part, to that of her home town of Tel Aviv. She will be back!
MM: What is it about the classic trio format that appeals to you?
Anat: I feel that more than three people on the stage is challenging. I can play solo, in a duo, as part of a quartet and with an orchestra but there’s always something about the trio. It is like a triangle that is not always equidistant where the lengths between points are not always the same. It can change the balance between these three points but it always comes back to being a triangle. Some how the trio feels right to me.
MM: You’re very much associated with Paul Bley (her mentor) and Paul Motion (who appears on A Long Story), two musicians who are more often given to abstraction. Your music seems more frequently lyrical and melodic.
Anat: Yes I’m highly influenced by Paul and … Paul! But I think you will hear that the lyrical and melodic parts may come from the influence of Keith Jarrett and Bill Evans. I am just as influenced by them. I always talk to my students about the importance of melody. It can become very abstract along the way – all kinds of stuff can happen – but the essence of a piece is contained in the melody.
MM: What is the well you most often return to for inspiration?
Anat: On a daily basis the well is called “Bach”!
MM: I was thinking non-musical!
Anat: In many ways, nature. And it doesn’t have to be going out into the wild. It can be walking in the park next door to where I live, just hanging out with the trees. That’s something that always brings me back to myself. It’s very easy to ignore because trees are everywhere in North America and even Tel Aviv. True, it’s not the same as going out into a wilder landscape but I try to do what’s within my reach.
And the sea. The Mediterranean is ten minutes from where I live. Water always moves me and everything that moves around it like the clouds and the movement of the birds…the basics, you know?
MM: Which brings up an obvious question in light of the title of the new Album!
Anat: I’ve never been a serious birder but I have done some birdwatching and hope to get into it more!